Wednesday, May 27, 2009

Reality Check: African-Americans STILL Need To Have Racial Discipline In the Obama Era

Emmett Till before and after his trip down South. A reader mentioned the following news story during a recent conversation:


I said the following in response:

RESPONSE: I remember how furious I was as an undergrad when other Black students and I were singled out by campus security to have our backpacks searched as we left the libraries, etc. However...my friends and I did NOT associate with criminals. Now that I think about it, we didn't even associate with people who weren't also college students. We did NOT associate with anybody who had friends/relatives that were gang-involved, etc. We quietly excluded losers from our social circles.

We also didn't dress like hip-hop video criminals. Our range of clothing styles were basically the same as those among the White students at the time. From preppy to punk to new wave to grunge to the "standard uniform" of jeans and a t-shirt/blouse/Izod. A couple of things stand out to me about this unfortunate tale:

(1) The invented, ghetto names (including of the BF student who's whining).
(2) The access (key card) that another (BF) student apparently granted to a killer.
(3) The apparent ABC self-presentation of the whining BF student: "The honest answer to that is that I'm black and I'm poor and I'm from New York and I walk a certain way and I keep my clothes a certain way," she said." Really now, who wants to go to an Ivy League school to encounter ghetto bums? Who wants to be bothered with that?
(4) I would really be surprised if the "songwriter"-murder suspect is actually a songwriter and not an aspiring rapper. The reporter might have said "songwriter" out of political correctness.

As Evia has repeatedly pointed out, non-Blacks have a hard time telling us (normal, "survive and thrive" Black folks) from the "acting Black" mutants. I don't care about Harvard giving Miss Chenequa the boot. Good riddance to what sounds like bad trash. And maybe other "Sheniquas" will learn to STOP bringing ghetto trash onto that campus. That is, if they want to remain enrolled in Harvard.

I don't have much more to say about these sorts of news stories. There's very little left to say that hasn't already been said. These stories will continue to multiply unless and until WE change the cultural atmosphere that surrounds our children."
This incident brings up something that I touched upon during a comment to an earlier post. I said:

"It's too long for me to get into at length, but here's another example of what I mean by this. Non-AAs are often mystified by our current knee-jerk response of supporting Black criminals.

What non-AAs often don't understand (because they did not live through it) are the historical experiences that created these responses. Things like the Scottsboro boys, Emmett Till, other lynchings and Rosa Parks. These things are stories in history books for non-AAs. By contrast, these events are part of the LIVING MEMORY of my older relatives.

My paternal grandfather escaped a lynching because he looked White. That's why he ran away from the South. My friend's grandfather founded the Chicago church where Emmett Till's funeral was held. Emmett Till's funeral was a big deal, and a common, shared point of reference.

In terms of my living memory, the parents of most AAs in my age group (40s) made a POINT of showing us old pictures of what Emmett Till looked like in his open casket when we were around 11-12 years old. And, so did our teachers, for those of us who went to Black grammar schools/junior high schools.

They did this so that we could truly understand what lynching meant. Almost every AA I know in my age group saw that horrible picture as a pre-teen or young teenager."

As a result of the photos and the explanations surrounding them, most African-Americans in my age group and older were not naive about the potentially deadly consequences of wandering into unknown, non-Black residential areas. This horrible picture of Emmett Till was worth more than a thousand words about carefree wandering into certain places.

We were also not naive about the potential consequences of any of us "showing out" on a White campus, in a White workplace, in a majority White residential area, or any other White setting.

Our parents and other relatives drummed into our heads the message that if we "clowned" and did something inappropriate in a White setting, our actions would have consequences not just for us as individuals. But also for every African-American person that came to that particular setting after us. We were exhorted and raised to not be the Black person who screws things up for every Black person who comes behind us. This was one example of racial discipline.

Unfortunately, for a variety of reasons, my generation of African-Americans failed to communicate this message to our children. That's why there are African-Americans (like the foolish Black female college student interviewed in this story) who are shocked that there's a backlash splashing onto them when other Blacks do inappropriate things.

Many of us want to believe that those days are over; and we're living in a post-racial country. Well . . . on some levels, yes. On others levels, NO. We need to snap out of our Obama-induced delirium and understand that we're still perceived in a category separate, apart and inferior from everybody else.

As I've mentioned before, everybody except African-Americans is in the process of becoming perceived as White. I see this in the police reports and government forms that I work with everyday. Unless somebody is blue-black in color and without a single strand of hair that could be called wavy, they are classified as "White" on these forms. This includes deep-brown East Indians. This includes Black Arabs. This includes deep-brown, Indian Latinos. This includes everybody except African-Americans.

One benefit of being perceived as either White or sort-of White, is the ability to access portions of White privilege. This is why a Korean student at Virgina Tech could kill over 30 people on campus without his actions leading to a pogrom against Korean or Asian students on White campuses. This does not apply to us. Anything any one of us does will most likely be held against the rest of us.

Just like before the Obama era. We still have a need for racial discipline.
*Note* Here's an excellent blog post about the importance of "understanding where you are."http://www.groupnewsblog.net/2007/09/do-you-understand-where-you-are.html

Monday, May 25, 2009

Tools For The Filmmaker's Craft: "Rebel Without A Crew" by Robert Rodriguez

From Wikipedia:

"Rebel Without a Crew (subtitle: Or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player) is a 1995 non-fiction book by Robert Rodriguez. Presented in a diary format, Rebel details Rodriguez' beginnings as a young filmmaker; his stint at a medical testing facility to raise money for a feature film; the making of that film (El Mariachi) for $7,000, and his subsequent experiences in Hollywood selling the film and going to film festivals promoting it.

Later editions of the book also feature one of Rodriguez' tutorials on low-budget filmmaking ("Ten Minute Film School") and the screenplay to El Mariachi.

Rodriguez' rags-to-riches story, detailed in Rebel, as well as his vociferous support of low-budget techniques (such as digital cinematography) to allow anyone to make a movie cheaply, have made him an icon of modern independent filmmaking."

There's really no excuse. The tools are already there, if we're willing to seize them.

Read, learn, and Get Busy!

Saturday, May 23, 2009

The Sojourner-Artist: Make Sure There's Something COMPELLING About Your Art

One of the recurring problems that I've noticed with most so-called "positive" art is that the artists never gave much thought to how they were going to sell or promote their work. Their art usually does not have a built-in, compelling aspect to it. Many of them seem to think that the fact that their work is "positive" is enough to make it sell and become popular. Ummm . . . NO! A commenter named Roslyn (who is a published, working author---check her out at http://www.roslynhardyholcomb.com/) alluded to this in an earlier conversation when she said:

"Danny Glover is another one who annoys the living stuffing out of me. Twenty years ago when he was huge making those Lethal Weapons movies he had the clout to do something more substantial, but he didn't. Now he's trying to get funding for Toussaint L'Overture movie. He's irate because producers are asking him, 'Where's the white hero?' Of course they are. I'm sure they're also asking 'Who's going to watch this movie?' Black folk won't support anything without a black man in drag, and white folk certainly aren't going to see a movie WITHOUT a white hero. Back in the day, he could've gotten studio backing for a small vanity film. But now? Uh no."

"Who's going to watch this movie?" is a legitimate, critical question.

"Why would anybody WANT to watch this movie?" is another question.

Yet another critical question is the one mentioned by the columnists over at WORDPLAY, "Is the premise naturally intriguing---or just average, demanding perfect execution?"

These sorts of considerations apply to more than just screenplays. They apply to art across the board. The people who created the classical crossover group named Bond know this. That's why they selected women musicians who can "pass" as fashion models. They know that sex sells. I strongly urge all aspiring Sojourner-Artists to keep these commercial considerations in mind when creating your work. Quality is not enough. There has to be some type of compelling "hook" to your work. You have to give thought to how and why your work will sell.

Consumer behavior is fairly consistent no matter what type of product is involved. There are a handful of people who actively seek out healthy, nutritious food that is good for them. But such people are not the norm. Similarly, there are a handful of people who actively seek out entertainment products that are high-quality and life-enhancing. Again, this type of consumer is not the norm.

Most people go with whatever is readily available. And what's readily available (read: heavily promoted) tends to become popular. Whatever type of work that becomes popular then becomes even more readily available (through sequels and imitators, etc.). Most "positive" artists haven't figured out how to break into this circular process. A negative manifestation of this circular process is why African-American arts have been spiraling down for the past two decades. Trash art begets more, and even worse, trash art.

A good beginning to answering the above questions is to read the following columns from WORDPLAY:

http://www.wordplayer.com/columns/wp01.A.Foot.in.the.Door.html
http://www.wordplayer.com/columns/wp02.Strange.Attractor.html
http://www.wordplayer.com/columns/wp03.Beachcombing.html
http://www.wordplayer.com/columns/wp05.Death.to.Readers.html

Friday, May 22, 2009

Celebration of Real Musicians: "Explosive" by Bond

After enduring two decades of African-Americans (and others) lifting up "music artists" who can't play instruments, read music, or sing, it's refreshing to discover artists who are actually trained musicians. What a concept. I'm always excited to see people who are disciplined enough to hone their own craft instead of cannibalizing . . . err, "sampling" other people's work from 20-25 years ago.

A few years ago, I was listening to a local R&B radio station, and heard a supposedly new song that was vaguely familiar. After listening for a while, I realized that the "artist" had sampled the tail end of a DeBarge song from about 25 years ago. We've truly hit rock bottom. We've also backed ourselves into a corner with the "acting Black" madness. Other people have the common sense to adapt things from other cultures to serve their own purposes. For just one example, check out this video from Evia's blog that shows Korean church members happily "borrowing" from African-American styles of praise and worship music. http://www.blackfemaleinterracialmarriage.com/2009/05/living-well-not-around-the-dbrn-abc-terrorists.html

Anyway, Bond is a string quartet of classically trained musicians. After I heard this song, I felt like playing my flute after all these years! Those of you who have had some training might consider reaching for your musical instruments as well. Those of you who haven't had any training might consider taking lessons.

We desperately need a new arts movement!

Thursday, May 21, 2009

Geostrategy Nerd: Biohackers--Where's Government Oversight When We Need It?

From the Department of This Is Extremely Disturbing:

http://www.d-n-i.net/dni/2009/05/19/on-war-305-the-future-is-now/

Here's the link to the Wall Street Journal article that is mentioned in the post. http://online.wsj.com/article/SB124207326903607931.html The article's headline asks, "Is it risky?"

Need they ask?!! We see the mischief that computer hackers are engaged in. Do they really think that everybody who's playing with these organisms is looking for a cure for cancer? Are they really that naive, or just pretending?

The version of the rhyme that I learned as a small child was:

"Ring around the rosy
Pocket full of posies
Ah-choo, ah-choo
We all fall down . . . "

I didn't understand what the rhyme was about until I got a little older and asked my parents.

Wednesday, May 20, 2009

Tools For The Writer's Craft: WORDPLAY-Screenwriting Secrets From Working Screenwriters

During a recent blog discussion a reader named BklynGirl mentioned a wonderful and helpful website called WORDPLAY-Screenwriting Secrets From Working Screenwriters at http://www.wordplayer.com/.

While browsing the site, I've found references to helpful books explaining various aspects of writing good drama, such as The Art of Dramatic Writing by Lajos Egri, and Making a Good Script Great by Linda Seeger.

For those of you who believe that good writing can only be done in perfect, "hothouse" conditions (not having to work a "day job," having a specially-designated writing room, etc.), I would remind you of our African-American ancestor, Dr. Martin Luther King. I would also suggest that you read his Letter From a Birmingham Jail!

I'm not talking about encouraging the children to get into the arts. We can't wait that long. African-American women and girls need new dreams right now. We can't afford to do our "business as usual" tradition of creatively listing all the perceived "reasons" why what we need is impossible. We also can't afford to follow our tradition of throwing our responsibilities off on the next generation. We can't wait any longer for the things we need in order to survive and thrive.

While we're waiting (stalling, procrastinating) the STIGMA that we have collectively attached to ourselves as African-American women is getting more repellent with each day that passes. I've noticed the trend that Evia described in her latest comment. This "We Are Dysfunction" banner that we've been waving for the past few decades is tightening into a noose around our collective necks. This noose gets tighter with each new foul image of ourselves that gets beamed across the planet. This movie "Push/Precious" sounds appalling. Right now, there's next to nothing to counteract that sort of madness.

I'm challenging all of us who are capable (that would be me, YOU, and others) to start meeting this need right now. Now. Not until after we have homes with specially-designated "writing rooms." NOW. If we are committed, then we will find ways to do what needs to be done. And not wait until it's totally convenient, comfy and cozy to do so.

Browse, learn, and enjoy!

Friday, May 15, 2009

Black Women Need New Dreams and a Black Woman's Arts Movement

This essay is contained in my new book. I'm delighted to announce that The Sojourner's Passport site has launched! You can visit it at http://www.sojournerspassport.com/.

Everyone, I can't thank you enough for your ongoing encouragement and support; I truly appreciate it. Your support is what made this possible. And here's a special shout-out to my web designers at Educo Web Design. They're nice people to deal with, and they do outstanding work!

Peace and blessings,
Khadija Nassif

Tuesday, May 12, 2009

Tools For The Writer's Craft: Television Tropes & Idioms

I found a delightful and helpful website last month called Television Tropes & Idioms. http://tvtropes.org/

While browsing the site, I've found references to helpful books explaining various aspects of writing good fiction, such as 20 Master Plots: And How to Build Them by Ronald B. Tobias.

Reading through the entries has also helped me focus my thoughts about the structure of the novel that I'm working on. My novel's setting is:

(1) "Twenty Minutes Into the Future" http://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture

(2) in a "World Half Empty." http://tvtropes.org/pmwiki/pmwiki.php/Main/WorldHalfEmpty

(3) I've decided to open with an "Action Prologue," http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionPrologue

(4) and have at least one character who's a "Sour Supporter." LOL!http://tvtropes.org/pmwiki/pmwiki.php/Main/SourSupporter

Browse, learn, and enjoy!

Thursday, May 7, 2009

Mini-Blog Hiatus/Dance Concert: "Oh Mary, Don't You Weep" by the Joseph Holmes Dance Theatre



Periodically, I unplug from all of the electronic gadgets (television, radio, computer, etc.). http://muslimbushido.blogspot.com/2008/09/inner-slum-part-1-noise-pollution.html I'll be "unplugged" from tomorrow (Friday) until Tuesday morning. In the meantime, please enjoy this dance concert. See you when I get back! {waving}